Works

Made in collaboration with Bianca Quigley. Composition for 4 microtonal stepper motors. Part of the 2024 Peabody Composition–Computer Music collaboration.

Ambisonic fixed media. A collage of hell made almost exclusively with AI-generated samples and “riffs” using riffusion.com, divided by three short segments of dissonant tech metal riffs from an earlier iteration of the project.

Mixed media, made in collaboration with Claire O’Brocta. Based on themes and motifs written by Claire, I arranged and composed the music for the recital. This included a solo piano intro, a short video game-style soundtrack, and a “Battle of the Bands” piece featuring playback alternating with a live band (2 violins/guitar/bass/synth/drums).

For soprano, alto, Moog Sub 37, and cello. Contemporary vocal chamber composition written for Kendra Colton’s APST 800 Chamber Music class at Oberlin in Spring 2022.

For processed vocals, baritone saxophone, viola, percussion, Moog Sub 37, and electric guitar. Half graphic score, half solo spoken word.

For 2 vocalists, flute+alto flute, alto+baritone saxophones, viola, cello, percussion, 3 electric guitars, electric piano+Moog Sub 37, bass guitar, and drums, and found objects.

For baritone saxophone, vibraphone+percussion, 2 electric guitars, electric piano+Moog Sub 37, bass guitar, and drums. Technically a serial piece based around the 0156 tetrachord.

Stereo fixed media. Plunderphonics-style piece using material exclusively from my 2018 album Midnight Depression.

For amplified bassoon and live electronics.

For electric guitar, Moog+Prophet synthesizers, and electronic percussion+processed vocals. Structured improvisational piece with the instrumental score consisting of the text of the vocal section in the middle of the piece.

Stereo fixed media. Musique concrète piece formed from a variety of field recordings and recording sessions done largely in Fall 2020 (contributions from Nick Politi, Hamish Robb, Michael Gaspari, and Claire O’Brocta).

Stereo fixed media. Electroacoustic process work focused on the dichotomy between organization and chaos.

Stereo fixed media. Musique concrète piece based on a May 2019 audio recording in the Oberlin Art Complex dark room.

Fugue in A Minor composed for organ inspired by the counterpoint of J.S. Bach.

Fugue in F Major composed for four synthesizers inspired by the counterpoint of J.S. Bach.

Stereo fixed media.

Stereo fixed media.